Capturing moments in the infinite line of time, depicting fractional images of a divinely inspired Nature, interweaving mythological and historical accounts, gleaning fragments and whispers the cinematic gaze attempts to record the identity of a place that confronts and is confronted with the great philosophical questions of life.

The temple of Athena Alea, Gregory Markopoulos’s shrine, the harvest, the beautiful woman of Mouchli, the cherry orchard, the New Martyr Demetrios, are nothing but fragments of this place – of Tegea – recounting the adventure of life.

“Hail Arcadia”. A journey to a place that is haunted, even today, by the myth of an enigmatic epigraph.
Et in Arcadia Ego. A collection of fragments. A salute, brief and ambivalent, like the passage of the runner who crosses the plain of Tegea at midnight.

Festivals / Awards
Thessaloniki Documentary International Film Festival 2015 – FIPRESCI Award for Best Greek Film

Feature documentary, DCP, 2015, 89′, Greece 2015.

Written and directed by
Filippos Koutsaftis

Cinematogaphy by
Filippos Koutsaftis

Sound by
Costas Varybopiotis

Ioanna Spiliopoulou

Music by
Konstantinos B.

Sales / Distribution:
Homemade Films


A Blast

by Syllas Tzoumerkas


Maria is running away on the highway. She is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Her crazy, accelerating course will stop at nothing.

Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue: she is determined to sweep away everything she has ever cared for. Maria’s tragic tale of ascent to redemption is narrated through bits of the present that become tangibly interwoven with fragments of the past, creating a dazzling and devastating mural of contemporary Greece.

Angeliki Papoulia, Vassilis Doganis, Maria Filini, Themis Bazaka, Yorgos Biniaris, Makis Papadimitriou

World premiere
Locarno International Film Festival 2014  – International Competition

Festivals / Awards
Sarajevo IFF 2014 – International Competition, BFI London IFF 2014 – Dare, Rotterdam IFF 2015 – Limelight, Karlovy Vary IFF 2015 – Critics’ Choice: VARIETY’s 10 Directors to Watch, A.F.I. American Film Institute – European Film Showcase 2015, Hamburg Filmiest 2014, Seattle IFF 2015 – New Directors, São Paulo IFF 2014 – Nuevos Diretores, Hong-Kong IFF 2015, Joenju IFF 2015 – Fallen Myths – A Tribute to Greek New Wave, Athens IFF 2015 – Best Debut by an Actress Award – Maria Filini, Prishtina IFF 2016 – F.I.PRES.CI. Award, Tallinn Black Nights 2014, New Horizons 2014, Kolkatta IFF 2015, Festival de Cinéma Européen des Arcs 2014, Istanbul IFF 2015, Taipei IFF 2015, Haifa IFF 2015, Crossing Europe EFF 2015, Festival Cinematografico Internacional del Uruguay 2015, Espoo Cine 2015, Otranto FFF 2015 – Critics’ Prize, Ljubljuana IFF 2015, Tofifest 2015,, Luxembourg City IFF 2015, Cyprus Film Days 2015, Thessaloniki IFF 2015, Lichter Filmfest 2015, Rome Independent IFF, Marfa IFF 2015, Mucas IFF 2015, This Human World IFF 2015, etc.

World Press
“A black, bleak, urgently contemporary film. The frantic, unsettling and intriguing record of a woman’s journey, Syllas Tzoumerkas’ charged personal diatribe against an economic system seemingly designed first to make people, and then to break them.”
Jonathan Holland, The Hollywood Reporter

“Syllas Tzoumerkas’ striking soph feature tackles Greece’s ongoing financial crisis with aggressive gusto.”
Guy Lodge, VARIETY

“A punchy, difficult, allegorically urgent Greek tragedy. In A Blast, a narrative of personal liberation becomes a political allegory of powerful pessimism. Maria, like her country, may escape the shackles of unfair debt and struggle and poverty, but she can only do it by outrunning her pursuers, leaving a destabilized family behind and eventually facing the future in a state of staggering aloneness. (…) Tzoumerkas refuses to portray Maria as anything so uncomplicated as a victim. Maria is explicitly a woman – wife, daughter, mother, sister – and some of the scenes of most urgent, shocking power come from quieter moments when she simply, clearly negates or repudiates one of those prescribed roles”
Jessica Kiang, Indiewire & the Playlist

“If you ever wanted your own everyday saga of interpersonal collapse to be interpreted as a sexually heated, hyperkinetic, breathless action-thriller, then chances are it would look very much like A Blast, which takes all of the outwardly mundane rites of family life and refracts, intensifies and heightens them by seizing primarily just upon the peaks and nadirs, shifting back and forth in time to create an expressionist portrait of marital strife and psychological agitation that is more concerned with incendiary impact than polite plotting. The result often feels like A Woman Under the Influence as reinterpreted by early Nicolas Roeg.”
Travis Crawford, Fandor magazine

“Set against the volatile backdrop of the collapse of the Greek economy, Syllas Tzoumerkas’ freewheeling and full-on drama is a shrill expression of anger, driven forcefully and with a certain fearlessness by a striking lead performance by Angeliki Papoulia as a free-spirited woman who reaches the end of her tether. Syllas Tzoumerkas keeps the film tense and edgy as it spirals towards a moody almost existential ending.”
Mark Adams, Screen Daily

“Tzoumerkas directs each scene to its boiling point, resulting to montage sequences that stay in mind for long. Angeliki Papoulia, one of the most fearless European actresses, plays Maria without emergency breaks.”
Oliver Koever, Der Spiegel

“Filmmaker Syllas Tzoumerkas has condensed the Greek crisis into a superb drama of one woman’s journey of self-discovery. Tzoumerkas’ wild, anarchic style reminds us of the young Fatih Akin with his depiction of a society driven „against the wall“ by its own parental generation.”
 D.Kothenschulte, Frankfurter Rundschau

“An angry film that speaks its heart”.
Joost Booren, De Filmkrant

“A uniquely intelligent, unprecedented portrait that reveals the moods, secrets and deep divisions that run in societies in times of crisis. There has never been such a powerful film about it before”.
Janusz WroblewskiPolityka

“The most interesting thing in Tzoumerkas’ work is also the most universal: the rejection of illusion. We don’t really know what to do next, still it’s worth opening our eyes, regardless the price. ”
 Pawel T. Felis, Wyborcza

Video interviews
Syllas Tzoumerkas – Sarajevo IFF

Feature film, 83′, DCP, Color, Greece-Germany-Netherlands-Italy 2014.


Syllas Τzoumerkas

Syllas Tzoumerkas, Youla Boudali

Director of photography
Pantelis Mantzanas

Kathrin Dietzel


Art director
Elli Papageorgakopoulou

Costume designer
Marli Aliferi

Marco Vermaas, Dimitris Kanellopoulos

Make-up designer
Evi Zafeiropoulou

Hair designer
Lefteris Paraskevas

Maria Drandaki, Titus Kreyenberg, Ellen Havenith, Jeroen Beker

Constantina Stavrianou, Theodora Valenti-Pikrou, Mario Mazzarotto, Rena Vougioukalou, Panos Papadopoulos

Executive producer
Syllas Tzoumerkas

Produced by
Homemade Films, unafilm, PRPL, Bastide Films, Greek Film Center, Nederlands Film Fonds, Film- und Medienstiftung NRW, Filmförderung Hamburg Schleswig-Holstein, Pan Entertainment, Graal S.A., Marni Films, Mamoko Entertainment, Prosenghisi Ltd, Movimento Film production, in collaboration with ZDF/ARTE, with the support of the MEDIA Programme of the European Union, Nipkow Programm, Eurimages co-production development award, Cinelink – Sarajevo Film Festival

Distribution / Theatrical Releases
Greece (Strada), the Netherlands (Filmfreak), Germany (Real Fiction), Poland (Against Gravity), Denmark (Ost for Paradis), North Macedonia (KT Films), Switzerland (Spot on Distribution), Australia (Bonsai Films), Iceland (Bioparadis), USA (Indiepix), etc.



by Yorgos Zois


A post modern theater adaptation of a Greek tragedy takes place in a central theater of Athens. Like every night, the guests take their seats and the play begins. Suddenly, the lights on stage go out. Seven young people, carrying guns, stand up from the audience and come up on stage. They introduce themselves as the Chorus of the tragedy and they invite people from the audience to participate on stage. Gradually, reality and fiction blend. The audience doesn’t realize if this is part of the play. The play will come to its end at the usual time. Until then art will be interrupted by life.

Alexandros Vardaxoglou, Sofia Kokkali, Pavlos Iordanopoulos, Hristos Karteris, Romanna Lobats, Angeliki Margeti, Natassa Brouzioti, Aineias Tsamatis, Constantinos Voudouris, Maria Kallimani, Areti Seidaridou, Spyros Sidiras, Christos Sougaris, Alexandros Sotiriou, Elena Topalidou, Maria Filini, Vasilis Andreou, Daphne Ioakimidou-Patakia, Alexia Kaltsiki, Effi Rabsilber, Christos Stergioglou, Labros Filippou, Nikos Flessas

World premiere
Venice International Film Festival 2015 – Orizzonti Competition

Festivals / Awards
Torino IFF 2015, Mumbai IFF 2015, Thessaloniki IFF 2015, Kolkata IFF 2015, Goa IFF 2015, Palm Springs IFF 2016, Istanbul IFF 2016, Vilnius IFF 2016, Cyprus Film Days 2016, Catania FF 2016, LAGFF 2016, Pula IFF 2016, Sarajevo IFF 2016, Festival of Film Critics Camera Action 2016, Skopje IFF 2016, Sao Paulo IFF 2016, Hellas FilmBox FF – New Vision Award, etc.
Best First Film Director Hellenic Film Academy Award 2016

World press
Interruption is one of the most intelligent films I have seen lately and Yorgos Zois is one of the most unique voices in European Cinema today.”
— Ruben Östlund

Interruption takes Greek myths to tantalizing levels. My reaction was visceral and then I read up on Oresteia to see how amazing and genius Interruption really is. 10/10
— Bruce Fessier, USA TODAY

“Or we can bring to the extreme provocation of Zois, and see an image that is no longer the sign of a representation that does not belong to us but a reflection of an obscure mirror, as if the image was a black hole that attracts itself to the viewer who gets lost within it, until each of us becomes figure, ghost, opaque stain in black: and then the question that we should ask before the screen is no longer ‘what we see is real?’, but ‘are we really us real?'”
— Michele Sardone, Film parlato

“Watched Interruption by Yorgos Zois, really interesting Meta take on Oresteia.”
— Romain Gavras

Interruption proposes an ensemble of interesting actors, helped greatly by the complexity of their ambiguous identity on stage. Alexandros Vardaxoglou plays the god-like director, but his identity will soon evolve, stressing again and again the unpredictability of Zois’ beautifully layered screenplay. In other parts, Maria Kallimani, Alexia Kaltsiki, Christos Stergioglou and Maria Filini have their moments of glory in front of Yannis Kanakis’ fluid camera, which uses darkness and light to blur the boundaries between the stage and the audience”
— Stefan Doboiou, Cineuropa

“There is something paradoxical in the film that is such a clever metaphor of contemporary world that uses a form associated with ancient times. There is something bizarre in the fact, that it’s piece of art suspended between theater and film, stressing fakeness of the world portrayed on the screen and it’s still talking about social moods so close to ours. Despite all those walls of distance built from Greek dramas, theatrical environment and demanding narration, we are in the middle of our world, observed so accurately by the director. We are watching a film weaved from wise message, unusual form and dare-devil way of storytelling.”
— Urszula Lipińska, Stark Magazine

Feature film, 110′, DCP, Color, Greece-France-Croatia 2015

Video Interviews
Yorgos Zois and cast – Venice IFF




Yorgos Zois

Yorgos Zois

With the collaboration of
Vassilios Kyriakopoulos

Director of photography
Yiannis Kanakis

Camera operator
Yorgos Karvelas

Yannis Chalkiadakis

Sylvain Chauveau

Soundscapes and drones designer

Art director
Spyros Laskaris

Costume designer
Zorana Meic, Eva Goulakou

Hrvoje Petek, Alexandros Sidiropoulos, Aris Louziotis, Hervé Buirette

Make-up designer
Anne-Valérie Chiabaut

Hair designer
Angeliki Balodimou, Lefteris Paraskevas

Maria Drandaki, Elie Meirovitz, Sinisa Juricic

Theodora Valenti-Pikrou, David Danesi, Victoria Sankina, Filippos Marmoutas, Panos Papadopoulos, Jean-Yves Rousseaux, Sylvain Fage

Executive producer
Constantinos Moriatis

Produced by
Pan Entertainment, EZ Films, JDP in association with Nukleus Film, NOVA, Marni Films, Cinephase, Digital District, Post Faust Ltd, Prosenghisi Ltd, Squaredsquare Films, Homemade Films with the support of the Greek Film Centre, Centre National du Cinéma et de l’image Animée, Ministère des Affaires Étrangères et du Développement International, Institut Français, HAVC, TorinoFilmlab, CNC Award – Cinelink Sarajevo Film Festival, Piraeus Bank and OPAP